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Mateja Bucar
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Between abstractions and organic lifeworlds - "The Car Park"
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Rachel Cherry
|
Choreographing stillness: the decisive moment in dance and
movement photography
|
|
Nicola Conibere
|
Audience and live event: how conceptions of audience inform
choreographic practice
|
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Stella
Dimitrakopoulou
|
Public and private notions in identity and gender,
performances
|
|
João Lima Duque
|
ASSAULT: an ongoing collaborative project presenting a new model
for emerging art practice
|
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Erica Eaton-Quinn
|
An investigation into the most effective start ages and genres
that lead to professional or elite status in dance
|
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Gemma Feeley
|
Science and the Performing Arts: to what extent can science
inform the artistic qualities of dancers and musicians?
|
|
Jaimie Henthorn
|
Recontextualising architectural structures - specifically the
formative stage and migrations and reverberations of Modernist
architecture - by intervention with the kinetic structure of the
human body
|
|
Eleni Koukoli
|
Reconstruction and archive: practices of appropriation and the
corrupted body
|
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Eun-Yi Lee
|
Mediated dance and Deleuzian reading
|
|
Naomi Lefebvre
Sell
|
dharmakaya: A choreographic investigation of mindful
meditation and creativity
|
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Virginie Litzler
|
Magnets [investigation of body, gesture and urban space for what
they are]
|
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Manuel Lopez Jorge
|
Music, an art in space and time
|
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Duncan MacLeod
|
Composition portfolio
|
|
Yuki Negishi
|
Chopin in context: a critical comparison and re-evaluation of
the works of his influential predecessors
|
|
Maria-Christina Papadopoulou
|
Is the classical harp not loud enough? Experimenting with
electronic effects, exploring and performing modern music on the
amplified pedal harp
|
|
Andreas Papapetrou
|
Music of movement and gesture: Experimental Music Theatre as a
means of exploring and creating interdisciplinary
performance
|
|
Ann-Kristin Sofroniou
|
Musical Recycling: Transcription/Deconstruction techniques by
contemporary composers
|
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Simone Spagnolo
|
Composition: Contemporary Opera based on a libretto composed by
juxtaposed and collaged passages of Literature
|
|
Luke Styles
|
Composition portfolio
|
|
Andrew Tait
|
English Piano School with reference to S
Coleridge-Taylor
|
|
Imogen Walker
|
Predictors of adherence and dropout in young dancers
|
|
Hagit Yakira
|
How can one use autobiography to make art?
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