Current students’ research topics:
Will Dutta | The Curating Composer: Self-Organising Strategies and Initiatives in the Production, Exhibition and Disseminsation of Non-Classical Music |
Hollie Harding | Re-imagining the Performance Space. Exploring the Arena, Ensemble and Gestural Spaces of Music in Composition |
Gemma Harman | Investigating the Phenomenon of Dance and Music THrough the Experience of the Performer |
Jun Ishimura | New interpretation of Chopin’s piano music using the comparison between modern and historical instruments and the performance of the three Piano Sonata |
Eleni Koukoli | Exercise Les Noces: Practices of Translation and the Appropriated Bodies |
Peter Lewton-Brain | Dance Performance Enhanced through Biomechanics, Mental Imagery and Manuel Therapy using a Multi Disciplinary Approach |
Xiaoyun (Cloudy) Lim | Revisiting Chopin’s Mature Piano Sonatas: Analysis from Historical and Performative Contexts |
Sophia Manoharan | Les Concours and the Early French Flute School: Stylistic Considerations for Performance |
Yuki Negishi | Chopin in Context: a Critical Comparison and Re-Evaluation of the Works of his Influential Predecessors |
Stephanie Oatridge | The Progressive Conservatoire: Responding to the Evolving Educational Needs of Musicians, Viewed through the Critical Disability Model |
Quynthran (Quincy) Pham | History of Evolution: Compositional Practice for Keyboard Dance Suites |
Fei Ren | On Das Jahr, and the Significance of Fanny Hensel in the 19th Century Romantic Repertoire |
Ailie Robertson | Microinterval Modality for the Harp: a Compositional Approach |
Barak Schmool | The Theory of Hierarchical Rhythmic Organisation in ‘African’ Traditional Music |
Christina Siomos | An Electromyographic Profile of the Practicing and Performing Violinist and its Ccorrelation to the Exceptional Postures and Playing Techniques Demanded of these Skilled Instrumentalists |
Park Stickney | A New Approach to Jazz Harp? Scales and Chords and Harps and Pedals |
Alexander Walker | On Creating a Performance Tradition |
Hagit Yakira | Choreographing Autobiographies as Relational Life-Storytelling |