Introduction
Studying piano and keyboard instruments at Trinity Laban, you will acquire not just technical mastery over the music you play, but also the ability to continually interpret it afresh. We will help you break out of old patterns and equip you with tools with which to realise your artistic ambitions, as you learn to decipher the originality and daring at the heart of the great masterpieces and the music of today.
We are committed to preparing our students for a dynamic musical future and nurturing creativity, individuality, and excellence through collaborative teaching and learning, cutting-edge research, and numerous performance opportunities. We aspire to ignite and equip young artists to excel on and beyond the keyboard, making a significant impact in the ever-evolving world of music.
Teaching
Our programmes bring together the rigour of professional technical training with an emphasis on creative exploration. Under the guidance of our internationally renowned teachers, you will develop your technique, your confidence and discover your unique voice as a performing artist.
Through weekly allocation of individual Principal Study, Principal Study Enhancement and group classes, you will encounter a range of learning experiences to help discover your individuality as an artist. You will receive regular tutorials, repertoire and performance seminars and be encouraged to explore other keyboard instruments. In addition to the traditional canon, we also ensure you are exposed to the many radical currents taking place in contemporary music, through collaboration with composition students, staff and visiting artists.
A plethora of chamber music opportunities are built into the curriculum. These range from playing in duos to working with trios, quartets and quintets; from work with singers to any other combination of instruments you can think of!
Keyboard Teaching Staff
Head of Keyboard, Piano and Chamber Music
Dr Ji Liu |
Artists in Residence
Rolf Hind– Visiting Artist in Contemporary Piano | |
Pascal Rogé | |
Linos Piano Trio | |
Philip Fowke – Emeritus Fellow, Piano |
Piano
Gabriele Baldocci – Piano | Eugene Asti -Vocal Accompaniment Coordinator | ||
Alexander Ardakov– Piano | Hilary Coates – Piano | ||
Christine Croshaw – Piano and Chamber Music | Douglas Finch – Piano, Contemporary Piano and Composition | ||
Martino Tirimo– Piano and Chamber Music |
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Deniz Arman Gelenbe – Piano | Mikhail Kazakevich – Piano | ||
Yekaterina Lebedeva – Piano | Elena Riu – Piano and Contemporary Piano | ||
Penelope Roskell – Piano | Peter Tuite – Piano | ||
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Ji Liu –
Head of Piano and Keyboard at Trinity Laban – Piano |
Contemporary Piano
Douglas Finch – Piano, Contemporary Piano and Composition | ||
Elena Riu – Piano and Contemporary Piano | ||
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Chamber Music
Sergio De Simone – Head of Keyboard, Piano and Chamber Music | |
Martino Tirimo– Piano and Chamber Music | |
Christine Croshaw – Piano and Chamber Music | |
Eugene Asti -Vocal Accompaniment Coordinator | |
Helen Yorke – Chamber Music Coordinator, Vocal Coach | |
Richard Markson – Chamber Music, Senior Fellow (Strings) |
Other Keyboard Instruments
Steven Devine – Fortepiano and Harpsichord | |
James Johnstone – Harpsichord and Chamber Organ | |
Richard Gowers – Organ | |
John Henry – Harpsichord |
Repertoire Studies
Alisdair Hogarth – Keyboard Culture | |
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Phillip Colman – Accompanying |
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Helen Yorke – Chamber Music Coordinator, Vocal Coach |
Collaboration
As a pianist, accompanying other musicians is a privilege that enriches your experience as a performer. A collaborative piano specialism is available to third and fourth year undergraduates and to postgraduate students, with regular tutorials, coaching and classes.
Tutorials are also available from teachers across our instrumental departments, and a brand new class in Specialist Keyboard Skills aims to open up new landscapes by teaching improvisation in all its diverse forms, from continuo playing to dance accompaniment.
From the traditional to the cutting edge, you are encouraged to pursue innovative and exciting projects that push the boundaries of what is possible with keyboard instruments. Some of the most exciting innovations in the department take place through collaboration, including the opportunity to work with students from the Faculty of Dance through our annual CoLab festival.
Performance
Performance is at the core of the Department’s philosophy, with an abundance of solo and chamber opportunities available, affording you the chance to explore varied styles and repertoire. You will have regular opportunities to perform in our weekly recital series in the Old Royal Naval College Chapel, St Alfege Church and at Blackheath Halls. Our pianists often gain places in prestigious internal and external competitions and concert series, and receive key opportunities to play in professional venues across London, including St James’s Church Piccadilly, Steinway Hall, St Martin-in-the-Fields, Wigmore Hall and Cadogan Hall.
The Department promotes several concert series each year, in which all our students are encouraged to take part. Examples of recent concert series include:
- Keyboard, Piano and Chamber Music Festival: a major festival series celebrating a different composer each year.
- Staff Profiles: a showcase of concerts, curated by staff from the Department.
- New Lights Piano Festival: celebrating Contemporary Piano Music.
- The Undergraduate Keyboard Festival: provies a platform to perform in front of your contemporaries. The festival is recorded, and you will receive immediate feedback, to help inform your progression and develop your confidence as a performer.
Find out more about Music Performance Opportunities.
Facilities and Instruments
During your time at Trinity Laban you will have a chance to perform on some of the finest keyboard instruments. We take great pride in our piano estate, which consists of a hugely diverse range of models, from Steinway to Bösendorfer and Fazioli, in keeping with the demands of a pianist’s career in today’s world. We have a range of period instruments including several single- and double-manual harpsichords, fortepianos, a chamber organ and a recently purchased Karen Richter clavichord.
Organ students will learn and perform on a number of different instruments, both within the college and at numerous London churches and cathedrals with which we have close relationships.
Instruments:
- Piano
- Chamber Organ
- Harpsichord
- Fortepiano
- Clavichord
Your Audition
We are encouraging applicants to audition in person where possible. However, if for whatever reason you are unable to attend a live audition in London online recorded auditions are available for all applicants.
In-person Auditions
Prior to audition, you must apply via UCAS Conservatoires. All auditions will be held in London at our Music Faculty between mid-November and mid-December. The address for the Music Faculty is: Trinity Laban Conservatoire of Music and Dance, King Charles Court, Old Royal Naval College, Greenwich, London SE10 9JF.
We will endeavour to schedule your audition as soon as possible and will update you with your audition date and time via UCAS Conservatoires and email. If you have any issues making this time, please let us know as soon as possible on the email on this page.
Audition Requirements
- All auditions will include a short discussion with the panel
- We do not have a dress code for auditions
- Where applicable an accompanist will be provided for you, you will have a rehearsal time of around 10 minutes with the accompanist prior to your audition. If you are bringing your own accompanist, let us know as soon as possible on the email below.
- If you have any accessibility requirements, please contact StudentServicesEnquiries@trinitylaban.ac.uk.
- Auditions do not include a written paper
- If you have also applied for BA Music Performance and Industry, details will be sent separately. You can find information on audition requirements and submission deadlines here.
Undergraduate Programmes (FCM, IFCM, BMUS)
Applicants should prepare two to three pieces showing contrasting styles and techniques, written for your principal study instruments, and lasting no longer than 15 minutes in total. At least one of these pieces should be played from memory.
Improvisation/sight reading may be required.
Postgraduate Programmes (Graduate/Professional/Artist Diplomas, MMUS, MAMEP)
Applicants should prepare a contrasting and suitably demanding programme, including an Etude from memory, of no more than 30 minutes in total.
Improvisation/sight reading may be required.
Recorded Auditions
Prior to submitting a recorded audition, you must apply via UCAS Conservatoires. Recordings will not be considered until a UCAS Conservatoires application has been submitted. When asked on UCAS Conservatoires where you wish to audition, simply click ‘recorded audition’ or ‘online’. You can watch our tutorial on submitting your UCAS Conservatoires application, for step-by-step instructions. Once you’ve submitted your application, our admissions team will be in touch with further information. Please keep an eye on your emails and check your spam inbox.
The deadline for submission of recorded audition materials is 27 October 2023.
Recording Your Audition
There should be two elements to your recording: a speech and a performance. You must submit a video recording of your speech and performance, and not only an audio recording. We do not require high production recordings, normally a recording on a phone or digital camera will suffice, but please check that the audio and video quality is clear before submitting your auditions.
We recommend sourcing a live accompanist if possible, however we can accept pre-recorded backing tracks and unaccompanied recordings. If you are playing with others, please make it clear who you are in the recording. There is no dress code for recorded auditions.
For the speech, you should record a passage of yourself speaking in English. For your speech you should:
- Introduce yourself by name
- Talk about your musical background and the training you’ve had
- Talk about your musical ambitions and your reasons for applying for the programme of study.
For the performance, you should record two to three works (or extracts) – further information on instrument requirements are below. Please note that the panel will wish to have some idea of the range of your ability, so provide works that demonstrate contrasting musical styles and instrumental/vocal technique.
You may be invited to an online discussion with the panel via Zoom, you will be updated via email if this has been scheduled.
Undergraduate Programmes (FCM, IFCM, BMUS)
Applicants should prepare two to three pieces showing contrasting styles and techniques, written for your principal study instrument, and lasting no longer than 15 minutes in total. At least one of these pieces should be played from memory.
Postgraduate Programmes (Graduate/Professional/Artist Diplomas, MMUS, MAMEP)
Applicants should prepare a contrasting and suitably demanding programme of no more than 30 minutes in total. At least one of these pieces should be played from memory.
Submitting Your Audition on Embark
You must submit your audition via Embark. To submit a recorded audition, you will first need to create an account before submitting your recordings or portfolio. For step-by-step guidance on submitting your recorded auditions, watch our Embark tutorial.
You can submit multiple files to Embark (i.e. your audition does not need to be submitted as one take). If you have any issues with uploading your files, you can also upload your files to a video sharing website (such as YouTube or Vimeo) and paste the links into a word or PDF document to upload into the Additional Documents section.
You do not need to submit materials for every section, e.g. you only need to submit Transcripts or Additional Documents if you would like the panel to see these.
There are no written papers for auditions.
Please note, if the performance on the recording is found not to be your own, the place will be withdrawn immediately and no fees will be refunded.
If you have any questions, please don’t hesitate to get in touch: admissions@trinitylaban.ac.uk
Masterclasses
In our extensive series of masterclasses, we invite renowned visiting artists to bring the richness of their wide experience to your door. Visitors include Andrei Gavrilov, Malcolm Martineau and Boris Petrushansky, as well as more frequent opportunities to play before our Artists in Residence Rolf Hind and Pascal Rogé.
Graduates
Alongside our many established alumni, in the last few years many more graduates have also gone on to forge exciting careers:
Harriet Stubbs is a Yamaha artist and on the Board for the Grammy’s New York Chapter. Her first commercial album, Heaven and Hell: The Doors of Perception, featuring Marianne Faithfull was produced by multi Grammy award winner Russ Titelman.
Gen Li won first place at Jaques Samuel Piano Competition and at Brant International Piano Competition and in 2018 was awarded third place at the renowned, Hastings International Piano Concerto competition.
Iyad Sughayer is an international concert pianist and recording artist with BIS Records.
Guilio Potenza was a Concordia Foundation Young Artist and recorded the piano and violin repertoire of Leoš Janáček for Da Vinci Classic label.
Maria Marchant is a recitalist, concerto soloist and chamber musician. She is a member of the Stradivarius Trio and pianist-in-residence at the Shipley Arts Festival. She released the first recording of piano work of Granville Bantock
To view the impressive organisations that our alumni have worked with, visit Alumni Destinations.
For more information on the successes of Trinity Laban Keyboard graduates and what they have to say about the course, visit Alumni Profiles.
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News
Adrian Clarke Memorial Awards
Three Trinity Laban vocal students have received substantial financial awards, given in memory of the English baritone Adrian Clarke.Thu 29 August 2024 -
News
Errollyn Wallen CBE appointed Master of the King’s Music
His Majesty The King has made Errollyn Wallen CBE Master of the King’s Music; the first appointment to this role of his reign. The prolific composer becomes the first Black musician to hold the title.Tue 27 August 2024
From Hamburg to London
5 New Steinway Pianos for Trinity Laban
Keyboard at Trinity Laban
Performance is at the core of the Department’s philosophy, with an abundance of chamber and solo opportunities available, and numerous competitions.
- 1 - Peacock Room, Faculty of Music
- 2 - The Gold Medal Competition, held at Kings Place, London
- 3 - Royal Greenwich International Early Music Festival
- 4 - Pascal Rogé, Distinguished Artist in Residence
- 5 - Trinity Laban Piano Showcase
Alumni Spotlight with Gen Li
Pianist