Filippo Ieraci
Filippo Ieraci
Research Pathway:
PhD Creative Practice: Music
Research Supervisors:
Professor Sam Hayden
Dr Bruno Heinen
Research Title:
Counterpoint and polyphony in modern guitar. Use and application in improvisation and composition
Research Topic Outline:
This research investigates the application of counterpoint and polyphony in modern guitar, with a focus on composition and improvisation. Despite the abundance of jazz guitar method books, few explore the nuanced interplay of multiple melodic lines. This study aims to bridge this gap by analysing historical and contemporary guitarists, from early classical composers like M. Carulli and M. Carcassi to modern guitarists such as G. Hekselman and L. Lund, who exemplify polyphonic techniques in their playing and compositions. By examining classical and jazz works from diverse historical eras, the research will develop exercises and etudes that incorporate these principles, aiming to integrate them into jazz improvisation and guitar composition. Engaging with leading practitioners and scholarly works, this project seeks to enrich the pedagogical landscape and expand the expressive potential of the guitar. The outcomes will include a series of transcriptions, adaptations, original compositions, and arrangements, culminating in a thesis that offers new insights into polyphonic guitar techniques and their practical applications in modern music.
Biography
As a jazz guitarist and composer, Filippo has performed across Europe and the US, both as a leader and a session guitarist. He holds Bachelor’s and Master’s degrees in Jazz Guitar, graduating with top marks, and has studied with renowned musicians including Glauco Venier and Alfonso Deidda. His publications include the EP Cucumber Green and debut album Trust the Process, which showcases original compositions. He has won awards including “Tomorrow’s Jazz” and has been a finalist in many prestigious international competitions. His work features collaborations with prominent musicians such as John Stowell, and his studies included masterclasses with jazz luminaries including Kurt Rosenwinkel and Gilad Hekselman.