Research Supervisors

Research Degree Programme supervisors’ research interests and areas of supervision:

	Aleks Szram DMA Reader in Performance Studies Piano Performance 20th and 21st Century Performance Practice Indeterminacy, aleatoric music and graph scores Memorisation Chamber Music Critical Pedagogy Online and blended learning environments
	Charles Linehan Reader in Choreography Choreography and film
	Deirdre Gribbin PhD Professor of Composition Composition The interface between music and theatre audiences Music and interactive healthcare technology in practice and rehabilitation hospitals in Canada Music and genetics Composition as a developmental tool for young adults with cognitive delay The music of Per Norgard Orchestration and the capacity of acoustic sound The role of women in music Music written out of conflict Audience participation and inclusive in contemporary music experiences Music, new plays and dance
	Dominic Murcott PhD Professor of Composition The interface between classical and popular music, 1960 to present The music of Conlon Nancarrow The music of Frank Zappa The relationship between computer technologies and performance Composition education practice
	Guy Harries PhD Composition Contemporary performance Interdisciplinary collaboration
	Gwyn Pritchard Professor in Composition Composition Festival and Concert programming
	Jonathan Owen Clark PhD Professor of Aesthetics, Critical Theory and Arts Practice Critical theory Arts practice Critical Theory and Historiography Philosophical Aesthetics Musicology and Performance Studies Critical Pedagogy and Participatory Arts Mathematical Music Theory Musical Composition and Sound Design Inter-Arts Collaborative Practice and Installation Art
	Sam Hayden PhD Professor of Composition Composition (Acoustic and Digital) Interactive Computer Music Computer-Assisted Composition Computer-Generated Notation Contemporary Music Notation
	Sophie Fuller PhD Professor of Gender Studies in Music Cultural Musicology, particularly late 19th and 20th century Britain Gender, Sexuality and Music Performance spaces for music
	Naomi Lefebvre Sell PhD Reader in Choreographic Practice Creative Practice Dance making Choreographic process Scoring, choreographic methodologies and documentation Mindful moving and attendance to presence
	Stephen Montague DMA Professor of Composition Composition
	Hans Koller PhD George Russell and the Lydian-Chromatic Concept Counterpoint and post-tonal harmony in contemporary jazz composition The music of Thelonious Monk, Charlie Parker and Lennie Tristano

RELATED LINKS

• MPhil/PhD Students
• MPhil/PhD Student Showcases
• Staff Research
• Research Degree Programme