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Aleks Szram DMA
Reader in Performance Studies
- Piano Performance
- 20th and 21st Century Performance Practice
- Indeterminacy, aleatoric music and graph scores
- Memorisation
- Chamber Music
- Critical Pedagogy
- Online and blended learning environments
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Charles Linehan
Reader in Choreography
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Deirdre Gribbin PhD
Professor of Composition
- Composition
- The interface between music and theatre audiences
- Music and interactive healthcare technology in practice and rehabilitation hospitals in Canada
- Music and genetics
- Composition as a developmental tool for young adults with cognitive delay
- The music of Per Norgard
- Orchestration and the capacity of acoustic sound
- The role of women in music
- Music written out of conflict
- Audience participation and inclusive in contemporary music experiences
- Music, new plays and dance
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Dominic Murcott PhD
Professor of Composition
- The interface between classical and popular music, 1960 to present
- The music of Conlon Nancarrow
- The music of Frank Zappa
- The relationship between computer technologies and performance
- Composition education practice
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Guy Harries PhD
- Composition
- Contemporary performance
- Interdisciplinary collaboration
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Gwyn Pritchard
Professor in Composition
- Composition
- Festival and Concert programming
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Jonathan Owen Clark PhD
Professor of Aesthetics, Critical Theory and Arts Practice
- Critical theory
- Arts practice
- Critical Theory and Historiography
- Philosophical Aesthetics
- Musicology and Performance Studies
- Critical Pedagogy and Participatory Arts
- Mathematical Music Theory
- Musical Composition and Sound Design
- Inter-Arts Collaborative Practice and Installation Art
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Sam Hayden PhD
Professor of Composition
- Composition (Acoustic and Digital)
- Interactive Computer Music
- Computer-Assisted Composition
- Computer-Generated Notation
- Contemporary Music Notation
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Sophie Fuller PhD
Professor of Gender Studies in Music
- Cultural Musicology, particularly late 19th and 20th century Britain
- Gender, Sexuality and Music
- Performance spaces for music
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Naomi Lefebvre Sell PhD
Reader in Choreographic Practice
- Creative Practice
- Dance making
- Choreographic process
- Scoring, choreographic methodologies and documentation
- Mindful moving and attendance to presence
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Stephen Montague DMA
Professor of Composition
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Hans Koller PhD
- George Russell and the Lydian-Chromatic Concept
- Counterpoint and post-tonal harmony in contemporary jazz composition
- The music of Thelonious Monk, Charlie Parker and Lennie Tristano
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