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Susan Kempster headshot

Residency at Sadler’s Wells for TL Lecturer

Award-winning choreographer, performer and teacher Susan Kempster to develop new work at the iconic contemporary dance venue.

Trinity Laban Lecturer in Dance Susan Kempster will enjoy a week’s research residency at Sadler’s Wells this summer to develop a new intergenerational duet. The project – working title Mother – will see Susan partnering with a recent dance graduate to explore identity and gender.

She explains –

“I kept thinking, ‘I don’t want it to look like a mother and son’. Then I had the idea to reverse the roles, so the young man will wear a dress and be the mother. Reversing the gender roles opens up all kinds of questions we might explore around identity and non-stereotypical relationships.”

Supported by the Foyle Foundation, Sadler’s Wells’ Artist Residencies programme is an investment in independent dance artists, giving them the opportunity to get back into the studio to think and play.

Susan, who has recently secured an Arts Council grant for her research, hopes to perform a version of the work in Italy at the end of August.

Find out more about Dance at Trinity Laban.

 

Classical Deconstructed workshop leaders

TL Presents Classical Deconstructed

TL Lecturer Emmanuel Vass and guests host workshop encouraging local teens to subvert the classical genre.

ClassicFM “Young Classical Star” and pianist Emmanuel Vass will lead a free and inclusive musical play day for 13- to 19-year-olds. His aim is to encourage participants to transform the classical genre using electronic techniques such as beats, loops samples and improv.

Emmanuel and guests will work alongside young musicians to reinvent well-known themes by classical composers, creating what they call “cool classical”.

Joining Emmanuel to deliver Classical Deconstructed are two other expert musicians: violinist and loop/ FX specialist Rebekah Reid and experimental flautist and spoken word musician, Dr Diljeet Bhachu.

Emmanuel comments –

“I’m so excited about this. It will be a rich, fun and fascinating day which any youg musician can get involved with to have fun with their creativity.”

Embodying TL’s approach to music-making, the workshop promises to be an exciting and playful summer workshop championing creativity and innovation and forms part of the conservatoire’s active work to decolonise the curricula.

Register now by visiting our Classical Deconstructed webpage.

Nubya Garcia in profile holding saxophone

Nominations announced for 2021 Parliamentary Jazz Awards

TL staff and alumni dominate this year’s shortlist honouring best of British jazz.

Now in their 16th year, the Parliamentary Jazz Awards champion the vibrancy, diversity, talent and breadth of the UK’s jazz scene.

Trinity Laban staff, alumni and Honorary Fellows have been shortlisted across eight categories, representing the broad cross-section of incredible educators and musicians in our creative community united in their passion and knowledge of jazz.

They are:

  • Kansas Smitty’s, where jazz drummer and alum Will Cleasby features in the hackney venue’s house band (Jazz Venue of the Year)
  • Jazz vocal tutor Brigitte Beraha (Jazz Vocalist of the Year)
  • Jazz saxophonist and alum Nubya Garcia (Jazz Album of the Year for Source, Jazz Instrumentalist of the Year)
  • Jazz pianist, alum and tutor Deschanel Gordon (Jazz Newcomer of the Year)
  • Jazz saxophone tutor Tony Kofi (Jazz Instrumentalist of the Year)
  • Kokoroko led by trumpeter and alum Sheila Maurice Grey and including composition alum Cassie Kinoshi (Jazz Ensemble of the Year)
  • Pianist and jazz ensemble tutor Liam Noble (Lockdown Innovation Award for Saturday Lockdown Live Sessions)
  • Musician and alum Steve Rubie has run 606 Club since 1976 (Jazz Venue of the Year, Service to Jazz)
  • Jazz trumpet and composition tutor Byron Wallen (Jazz Album of the Year for Portrait: Reflections on Belonging)
  • Singer and Honorary Fellow Norma Winstone (Service to Jazz Award)

The awards are organised by the All Party Parliamentary Jazz Appreciation Group (APPJAG), with the support of PizzaExpress Live.

John Spellar MP, Co-Chair of APPJAG comments –

“These awards are a great opportunity to celebrate the talents and energies of the great musicians, educators, promoters, record labels, jazz organisations, blogs, jazz magazines and journalists who kept jazz flourishing, in spite of the challenges they faced in 2020.  In a year of hardship, unparalleled in the last 76 years, these shortlists demonstrate the wealth of talent and commitment that exists in the British jazz scene.”

Winners of the 2021 Parliamentary Jazz Awards will be chosen by judging members of the APPJAG and announced online on Monday 26 July 2021.

Find out more about Jazz at Trinity Laban.

TL Ignite graphic

Announcing the Recipients of TL Ignite 2021

Trinity Laban is supporting 24 emerging local artists to develop their entrepreneurial expertise and establish sustainable careers through one-off grants and bespoke professional support. The scheme strengthens Trinity Laban’s ties with the local creative community, building a vital network to help boost the post-pandemic recovery of performing arts in south east London.

Funded by the Higher Education Innovation Fund, TL Ignite has been specifically designed to reduce the financial barriers for artists entering the industry and help nurture creative innovation and life-long learning.

Selected from over 100 applications, the 2021 TL Ignite awardees are:

  • Cherise Adams-Burnett – jazz vocalist and composer
  • Layla Allen – clarinettist and educator
  • Marcus Alessandrini – dance artist
  • Laure Dubanet – dance artist
  • Ieva Dubova – pianist and composer
  • Chesney Fawkes-Porter – musical theatre podcast creator
  • Olivia Fraser – oboist
  • Greta Gauhe – choreographer and dancer
  • Olivia Graham – singer and composer
  • Linn Johansson – feminist theatre maker and facilitator
  • Nicolas Jones – trombonist and founder of The Reel Folks
  • Rachel Laird – Co-founder of Sliding Doors Collective
  • Megan Linnell – singer, composer and arranger
  • Mikaela Livadiotis – pianist
  • Martha Mitu – violinist and composer
  • Ewan Moore – drummer
  • Laura Marie O’Connor – musical theatre writer
  • Evie Oldham – dance artist
  • Calum Perrin – sound artist
  • Teresa Skamletz – dance artist
  • Shannon Latoyah Simon – classical guitarist, sound healer and multidisciplinary artist
  • Monica Tolia – multidisciplinary choreographer and visual artist
  • Jessica Walker – choreographer, movement director and dance artist
  • Annys Whyatt – theatre-maker

Through seed-funding and a curated programme of knowledge exchange, TL Ignite aims to empower these newly graduated and early-career creatives to identify and realise development opportunities, find new ways to connect with audiences, build their networks and monetise their work.

The recipients, who are all in the first five years of their careers, will use the award for project realisation, digital creation and professional development, enabling engagement with local communities and the creation of new work.

Recipient Jessica Walker comments –

“It means the world to me to know that Trinity Laban truly believes in the work that I want to produce. This award will provide me with the stepping stones to start my own dance company and provide opportunities for other Black contemporary dancers.”

Fellow awardee Annys Whyatt comments –

“Receiving this award is such an exciting opportunity for me and gives me the means to realise a project I have wanted to create for a very long time. I am looking forward to making new creative relationships with other local artists being able to show and share our work with each other.”

Trinity Laban Principal Anthony Bowne comments –

“These 24 early-career artists represent the exceptional wealth of creativity and home-grown talent thriving in south east London. As a world-leading performing arts institution, it is vital that we share our knowledge and expertise with our wider local community to help emerging creative professionals navigate an increasingly challenging arts landscape. TL Ignite provides an opportunity for these emerging artists to enhance their skills, resilience and adaptability so that they can continue to build and contribute to a vibrant post-Covid arts ecology.”

Queen’s Birthday Honours 2021

Trinity Laban is thrilled to announce that Director of Strategy and Business Operations Jonathan Peel (pictured) has been awarded an MBE in the 2021 Queen’s Birthday Honours for services to Higher Education.

Jonathan Peel at drinks reception smiling at guests

Jonathan has worked at Trinity Laban for over 30 years, joining as a junior payroll clerk in 1989. In that time he has held a number of roles at the institution, including Head of HR. In his current role, he has responsibility for overseeing strategic projects and most recently the Conservatoire’s response to Covid-19.

Principal Professor Anthony Bowne comments –

“Jonathan is integral to the ongoing success of Trinity Laban and a colleague well-loved and respected by all. Through his leadership, we have weathered the Covid-19 pandemic in a way that has ensured that students and staff alike are informed, supported and protected while maintaining world class teaching and learning. We are extremely proud that he is receiving this Honour from Her Majesty in recognition of that leadership, and of the countless contributions he has made to Trinity Laban.”

Jonathan Peel MBE comments –

“I would like to thank my brilliant colleagues, without whom my Honour would not be possible. I am very proud to work at Trinity Laban alongside fantastic, committed people. Over the past year we have all worked extremely hard against major challenges, and I have been humbled by our shared determination and resilience. Thank you to you all.”

In the early 2000s, Jonathan played a key role in the merger of Trinity College of Music with Laban, leading the transition on behalf of TCM to bring both institutions together to form Trinity Laban Conservatoire of Music and Dance. He has led a number of major strategic projects including the £3m transformation of the Blackheath Halls concert venue, which serves as a major community arts centre in South East London.

Jonathan is also the founder of Generous Records, songwriter and producer of ‘Let the Music Give’. Jonathan is particularly passionate about giving something back through the music he writes and the projects he creates.

Also recognised in this year’s Honours are alumni Emma Gladstone and John Heath Summers who have been awarded an OBE for services to Dance and services to Music and Education respectively.

Emma completed a Postgraduate Diploma in Community Dance in 1985 at Trinity Laban before performing with Transitions Dance Company. After graduating, she co-founded Adventures in Motion Pictures with Matthew Bourne and David Massingham. Emma has served as Associate Director at The Place Theatre, Artistic Producer and Programmer at Sadler’s Wells and Artistic Director and Chief Executive of Dance Umbrella. Emma now focuses on specific areas of programming including talent development projects in the UK and Europe, while continuing as Chair at Siobhan Davies Studios, and in Trustee positions at Aesop and Dartington Hall Trust.

John studied cello at Trinity College of Music (now Trinity Laban), graduating with LTCL in 1973. He served as Chief Executive Officer of the Manchester-based Hallé Orchestra for over 20 years, retiring in July 2020. He also serves as a member of the Board of the Association of British Orchestras and has worked as Lead Adviser for Music to the Arts Council of England.

Iyad headshot

YCAT welcomes Iyad Sughayer

For over 35 years, UK-based charity Young Classical Artists Trust (YCAT) has supported the early careers of over 100 of the world’s most talented musicians, including Ian Bostridge CBE, Alison Balsom OBE and Jess Gillam, allowing them the opportunities to flourish as international performers.

This year, Jordanian-Palestinian concert pianist and TL alum Iyad Sughayer has been selected from 150 applicants to become a YCAT Concordia Artist for 2021.

Chosen as ‘One to Watch’ by International Piano Magazine, Iyad completed his Masters at Trinity Laban in 2018, having won the prestigious Trinity Laban Gold Medal award. His debut album, the Khachaturian Piano Works, was released to critical acclaim in November 2019 with Gramophone describing it as ‘exhilarating and delivered with perfect clarity’.

Iyad comments –

“I’m delighted to have been chosen as a 2021 YCAT Artist and I’m very excited to be working with the wonderful team at YCAT for the next few years! I feel very privileged to have been given this great opportunity to develop my career.”

Supported by the Concordia Foundation, Iyad will work with a dedicated artist management team, enjoy national and international performing opportunities, and receive and digital support.

In YCAT’s recent press release, Chief Executive & Artistic Director Alasdair Tait commented –

“The level of applicants applying for YCAT continues to be astoundingly high. However, I am delighted that the final jury was unanimous in identifying artists of exceptional talent with great potential and personality whom they believe would benefit greatly from YCAT’s support. With the catastrophic disappearance of live performance last year, the overwhelming sense of need for support and advice for these young musicians has never felt more urgent.”

YCAT announced their 2021 selected artists at a private presentation concert at Wigmore Hall on 20 May.

Find out more about our Keyboard Department.

Bo Lya headshot

Bo Lyu wins Soloists’ Competition 2021

Postgraduate pianist claims top Prize with electrifying Shostakovich concerto.

The 2021 Soloists’ Competition saw pianist Bo Lyu, violinist Camille Buitenhuis and pianist Jinah Shim compete in an outstanding final at Blackheath Halls for the chance to perform with Trinity Laban’s Shapeshifter Orchestra.

This year, the competition was adjudicated by Assistant Director of Music and Head of Programmes David Bahanovich, celebrated Romanian pianist Alexandra Dariescu and leading violinist Nathaniel Anderson-Frank, who praised the high standard of all three competitors.

After an incredibly close competition, the expert panel crowned Bo Lyu the winner for his engaging and masterful performance of Shostakovich Piano Concerto No.1 in C minor Op 35 accompanied by Yuchong Wu. Watch in full on TL YouTube.

Alexandra Dariescu comments –

“It was a joy being part of this panel and listening to such talented students. I was incredibly impressed by their technical brilliance and musical understanding. With explosive dynamics and precise articulation, Bo impressed through his vision of the concerto, assurance and utter commitment.”

David Bahanovich comments –

“During these extraordinary times, the opportunity to hear live music performed by such outstanding young artists was a genuine treat and one sensed that they cherished the chance to share their music making with others. Each of the three soloists demonstrated exceptional interpretive insight, skill, and flair.

On winning, Bo comments –

“I am very glad to have been chosen as the winner of the 2021 competition. I enjoyed playing Shostakovich Piano Concerto No.1 in C minor. This piece has always inspired me the power of music, and it is lovely to share the music with the audience and jury in this difficult time. I am looking forward to performing this great music with Trinity Laban’s Shapeshifter Orchestra.”

Bo is currently studying his Postgraduate Advanced Diploma at Trinity Laban with Sergio De Simone and Martino Tirimo. His studies are generously supported by the Trinity College London Scholarship, the Leverhulme Trust Scholarship, the GREAT China Scholarship, the Helen Roll Trust Scholarship, Help Musicians UK, the Sterndale Bennett Scholarship, Pisani Scholarship and Derek Butler London trusts and foundation. Bo is also an Artist in Mousikos Classical Company.

Since winning first prize at the Norah Sande Award Piano Competition in 2018, Bo has gone on to claim several Top prizes in numerous competitions including Jaques Samuel Intercollegiate Piano Competition in Wigmore Hall and Windsor International Piano Competition. Recent performances include a Solo recital in the Oundle International Music Festival, Benjamin Britten Young Apollo, Op.16 with the Dartington Festival Orchestra and Saint-Saëns’s Piano Concerto No.2 with St John’s Chamber Orchestra at Norden Farm Centre for the Arts, Maidenhead.

Find out more about Trinity Laban’s Keyboard Department.

Georgi Mottram headshot

Vocal alum and TL tutor tops classical chart

Georgi Mottram secures number one within 24 hours of releasing her debut single.

Since graduating from Trinity Laban’s vocal programme in 2013, Georgi Mottram’s versatility as an artist has flourished. She has performed in Opera Galas alongside Dame Kiri Te Kanawa, made her West End debut in Thoroughly Modern Millie at the Adelphi Theatre and appeared on BBC’s Friday Night is Music Night.

Now, her latest success has defined her as a number-one selling artist, having topped the Official iTunes Classical Chart earlier this month with her first solo project ‘Dream Believe’.

Georgi recorded the original track in her home studio in Jersey after returning to the Channel Island last year. This was due to the cancellation of international tour dates with her classical crossover group Ida Girls London, due to Covid-19.

Georgi told Jersey Evening Post

“All my work had been taken away from me and I had so much time on my hands so I started recording covers and uploading them to YouTube. Shore Records then reached out to me off the back of one of my covers and wanted to sign me. Songwriters Warwick & Young, who wrote my single, also said they wanted to work with me and it evolved from there. Prior to the pandemic I would never have thought of producing a solo single.”

Released on 14 May, the track entered the chart at number two due to a high level of pre-orders before climbing to the top spot the same day.

On making it to number one, Georgi comments –

“I am over the moon at the news about the No.1 in the iTunes Classical Charts. Trinity Laban promotes being a unique artist by finding your authentic voice and being open and receptive to new ideas and new music. This ethos has helped me greatly in the forming of my career. I was especially thrilled to reach No.1 with an original classical crossover song.”

With a successful eight-year career under her belt, Georgi has been inspiring final-year BMus students in her role as a tutor on Trinity Laban’s Artist as Innovator module for the past two years.

Find out more about studying music at Trinity Laban.

 

 

Olga teaching

The Instrumental Body

TL Summer School teacher Olga Masleinnikova authors chapter in newly published Body and Awareness book.

Edited by Sandra Reeve, Body and Awareness (Triarchy Press) is the third volume in the Ways of Being a Body series, designed as a guide for teachers, students, practitioners and researchers. It includes several contemporary approaches to the study and experience of embodied awareness, which is a transdisciplinary field of contemporary research and practice.

According to the new publication, embodied awareness is central to understanding everything from the creative arts to the psychology of health, from meditation to the psycho-ecology of climate change.

While the research-led chapters reveal a wide variety of interests, they share the common notion of ‘body as flux’ and support the being-becoming-being of each of us as a skilful creative entity.

Interdisciplinary creative, movement director, choreologist, creativity coach and lecturer Olga Masleinnikova is one of 20 contributing experts sharing their perspectives on Body and Awareness.

Using a practical session with actors as a case study, her chapter ‘The Instrumental Body’ explores the possibilities offered by choreology to initiate and expand sensorial awareness.

Olga explains –

“In my chapter, I present a process where an intentional shift into the attitude of Instrumental Body allows movement tools to become an awareness map for the transformation of patterns, for the experience of new inner landscapes and for creative expansion.

“I also introduce the concept of choreological order, which I find very useful for performance and devising work. I particularly resonate with the work and the explanation of Trinity Laban Senior Lecturer in Choreology, Rosemary Brandt. She says ‘the choreological order is what holds our movement together, we don’t have to think about it, we haven’t been taught how to do it, we do it because it feels natural and comfortable’.

“I demonstrate a step-by-step process on how to break the choreological order to shift from naturalistic, to stylised movement, to dance. I find it such a useful tool and I can’t wait to share it with How Movement Work participants in July.”

Olga has previously delivered on Trinity Laban’s Specialist Diploma in Choreological Studies and is the lead tutor for the conservatoire’s How Movement Works summer school, a week-long choreology course for adult practitioners from different backgrounds and disciplines who are interested in exploring movement.

This year, Trinity Laban is running How Movement Works as a five-day digital intensive from 5 to 9 July 2021.

To find out more and apply, visit our Take Part pages.

Image credit: James Keates

Close up of lollipop used as better for large drum

Daryl Runswick Digital 2021

Daryl Runswick Digital 2021

In a competition adjudicated by Stephen Fry, seven composers presented musical works inspired by social distance: these include responses to empty London architecture, the loss of a parent and the politics of wealth.

Following the success of last year’s online version, Trinity Laban’s annual Daryl Runswick Competition went virtual once again for 2021. The Head of Composition Dominic Murcott presented an exclusive online event celebrating brand-new pieces from finalists within the department.

The 2021 final, broadcast on Trinity Laban’s YouTube on Friday 21 May, hosted premieres from students Georgia Barnes, Martha Clayton, Nathen Durasamy, Emily De Gruchy, Franklyn Oliver, Leo Holder and Matthis Meyer and highlighted the diversity and creativity of our composition community.

This year, entrants were tasked with composing a new work for a 16-piece socially distanced chamber ensemble, combining the traditional challenges of orchestral writing with the added complexities of creating ensemble work during a pandemic.

Head of Composition Dominic Murcott comments –

“We usually like to hold the competition final in an unconventional venue – such as the Brunel Museum or National Portrait Gallery – but this year, Covid restrictions provided its own challenge, prompting many of the finalists to explore distance and space in their works.”

Building on the department’s established tradition of inviting guest artists from outside the musical sphere – such as philosophers, politicians, comedians, chefs and Turner Prize-winning artists – to lead workshops with students, this year’s adjudicator was none other than Stephen Fry.

Introducing the guest, Dominic Murcott explains –

“We thought it would be interesting if chose an adjudicator who represents the view of the audience, someone who can act as informed listener.”

On being invited to adjudicate, the English actor, broadcaster, comedian, director, writer and lover of music comments –

“Delighted to be asked to judge such a prestigious competition. It’s a marvellous thing to feel part of something that promotes, rewards, encourages and celebrates young musical talent.”

Stephen praised the seven finalists’ work, commending their musical understanding and orchestration skills, before naming Nathen Durasamy the overall winner for Enantiodromia: in loving memory of Dad.

The work conveys the experience of an anxiety attack, informed by the writings of Carl Jung, and is a homage to Nathen’s father who died in May 2020. Stephen described the composition as having intelligence and made from wonderful textures and colour.

Nathen, who is studying his Postgraduate Advanced Diploma in composition, comments –

“What an honour to have won. I am delighted! Studying composition and orchestration at Trinity Laban has been a remarkable experience. I’ve always wanted to write for a small orchestra and I’m so pleased that I got the opportunity to do so.

“Getting our pieces recorded by the fantastic players led by Gregory Rose has been an honour and a privilege. To then be involved with such an encouraging masterclass and competition is wonderful. Thank you to all involved in making this competition a reality.”

Dominic Murcott reflects –

“The Daryl Runswick Competition is one of the Conservatoire’s many platforms for students to showcase new works. It is central to our ethos that students learn by doing, which is why creating stimulating composition opportunities like this is so important. Core to our training is fostering the space for students to artistically explore their interests and musical styles from any genre, from poetry to Grime to video games, whilst underpinning that experimentation with contemporary classical techniques and orchestration skills.”

Watch the online event to hear Stephen’s detailed responses to the finalists’ works and listen to pieces in full on our YouTube.

Learn more about Composition at Trinity Laban.

King Charles Court and Laban Building

Black Lives Matter at Trinity Laban

We are pleased to publish Black Lives Matter at Trinity Laban, our action plan outlining the routes – completed, ongoing and planned – we are taking to address the inequalities faced by Black staff and students in our community.

Principal Professor Anthony Bowne comments –

“At Trinity Laban, we aim to be progressive, socially engaged, ethical and inclusive. It is our responsibility, as an institution and as a collective of individuals, to live up to these values. The actions within this document demonstrate the commitment, passion and thought at work within Trinity Laban to achieve this.

“I am encouraged by the progress we have made over the past twelve months to diminish the racial inequalities faced within our community. There is still significant work to do.”

The action plan has been compiled by Trinity Laban’s Black Lives Matter Working Group, which is comprised of accountable officers in key areas and Black student and staff advisors. The Working Group is accountable to Trinity Laban’s Equality & Diversity Board, who will monitor progress against these actions.

If you have feedback or comments to make on this action plan, please contact the BLM Working Group secretary Claire Carter.